Doubt is one of my inherent qualities, both as a person and as an artist. Art is a way to directly engage with the unknown, when through a particular artistic practice, I manage to materialize the hidden through feelings, emotions, and the body, which is difficult to deceive, unlike the mind. One way is to search for patterns—visual and psychological, external and internal—through automatic drawing, abstraction, creating ornaments, and searching for repeating elements. New ideas and patterns become like pieces of an unfamiliar puzzle, which gradually unfolds. At the same time, the sacredness of the artistic process itself, its regularity and seriality, are important to me. My primary media are painting and graphics, but I also work with sculpture, objects, and installation. For me, art is a way of communicating with the world around me, and one of my goals is to democratize it. It is important to me that art extends beyond the gallery space and becomes part of everyday life. Therefore, my projects often involve interaction with the viewer—whether through participatory work, the use of social media, or the openness of my studio to master classes, lectures, and informal interactions. In this way, I blur the boundaries between the private and the public, the professional and the amateur, art and everyday life, and the internal and external.